If you’re here on my site, chances are you’ve figured out by now that I’m a graphic designer/illustrator by trade who writes screenplays in his off-time and is currently turning
Do you remember this one? It’s a classic, and a real example of how we invest in things that technically aren’t real, save in our own imaginations. Personification, expections, subversions of
A review of a Historical Western script for Talentville member Andy Froemke. This one was one of, if not THE, top script at Talentville in 2014. Feel free to visit Andy’s
Here’s a review I did last year for T’ville member Scott Vasey. He’s since revamped the script with all the reviews received by myself and over a dozen other reviewers…
And here we reach the final sections. Writing Style is a slider… Wrap-Up is just an extra category that I created to let me talk about stuff that didn’t fit
As with Character, the dialogue’s a little short on points: Do the characters speak with unique voices, not just with affectations and speech patterns, but do they speak from a
Ah. Structure. I think that could be a book unto itself. Certainly there are different schools of thought. To many, and really, myself, typically structure is all about the types
Well… I must admit, I was surprised to see how short my section on characters was in the checklist. I find myself checking to see if something was deleted. But,
The second area with the sliding scale (1-10) on Talentville is Story. There’s definitely a lot here: Did you just read a story or a collection of scenes? Big difference. While
One of the areas you mark a script at Talentville is on Concept. I assembled the following list of prompts to help the reviewer (usually me) delve into whether the
